惊奇队长2

简介：李sir是一名香港警察，为人公平正直。黑社会老大文叔金盆洗手，退出了江湖，而接手的凯明却急于冒进，干了许多违法的事。李sir为了维护正义，开始追查凯明……

简介：《侣行》是由优酷土豆集团联合环宇兴业影视文化传媒公司共同打造的中国首档网络自制户外真人秀节目。张昕宇梁红夫妇将一路西行2万公里，穿越阿富汗、伊朗、伊拉克、埃及等中东16个国家，为我们还原一个真实的中东，与我们一起重新认识这片被战火笼罩的土地，以及在这片土地上生活的人。走出去，只凭爱和勇气。

简介：

拳击手大卓因意外受伤告别了擂台，在小区当了一个保安。在照顾患有痴呆症父亲的过程中，大卓渐渐理解了父亲多年来对他的爱，父子间童年时的心结被解开。为弥补父亲曾经的遗憾，大卓重拾信心，再一次站到了擂台之上。

简介：一支专家团队在奥地利一处农舍搜寻纳粹文件时，发现了隐藏在其深处的秘密。美国侨民冈纳・S・霍尔布鲁克执着于解开这个谜团，而随着他的神智逐渐失常，他必须直面一股贪得无厌的邪恶力量。

简介：故事开始,年近70的巴拉特先生老顽固一个,死活不肯卖他的店铺.而他生日时总是去火车站过.这次生日时,他依然去火车站过,他的一个孙女就问他为什么.于是,故事展开. 印巴分治前,巴拉特一家人是在巴基斯坦的印度教教徒.因为分治,造成大骚乱.而巴拉特一家人赶最后一班火车离开.可是,巴拉特父母以及两个弟弟妹妹爬上了车顶,而巴拉特背着大妹妹古蒂娅爬上火车时,古蒂娅没抓牢,掉了下去.巴拉特爸爸下车去找古蒂娅.而在下车之前,爸爸交代巴拉特要照顾好家人,因为他是家里的老大.要他带着妈妈和弟弟妹妹去德里的欣德定量供应店去找姑妈,并在那等着他带着古蒂娅去和他们会合.要巴拉特做出这个承诺. 因为要信守照顾好家人以及会合的这个承诺,巴拉特几乎放弃了自己的一切,和好哥们维拉亚提几十年来风里来雨里去,经历了很多很多.可依然,没能等到爸爸带着古蒂娅去和他们会合......

简介：HBO电视电影《烛台背后》入围第66届戛纳电影节主竞赛单元。该片根据名人传记改编，主人公李勃拉齐（迈克尔·道格拉斯 Michael Douglas 饰）是20世纪50~70年代好莱坞家喻户晓的钢琴艺术家，不但演出费用高居世界之冠，而且以极尽华冶艳丽的造型获得了“闪耀之王 ”的舞台称号。他从不承认自己是同性恋并为此打过多起名誉官司，但在晚年却不得不与22岁的男助手兼保镖斯科特（马特·达蒙 Matt Damon 饰）对簿公堂。后者声称与他有着5年的地下情并主张天价的抚养费，该事件引发了美国娱乐圈的地震。双方后来选择庭外和解，次年李勃拉齐因艾滋病发症去世。 电影从斯科特与李勃拉齐的相遇开始。初见面斯科特即被李勃拉齐出神入化的钢琴演奏所迷倒，而李勃拉齐一句挑逗“这一定是命运”让两人火速定情。在无需面对公众的时候，他们就像普通情侣那样如胶似漆，过着童话般的奢华生活。然而斯科特获得了女人们求而不得的爱情和物质保证，却注定得不到一纸身份证明。这样的遗憾不仅是时代偏见造成的，也有李勃拉齐自私和刚愎的原因。最终两人因此而决裂，一代巨星的隐秘地下生活变成现实中被公众观摩的巨幕肥皂剧，一份真心付出的爱情最终输给极力掩上的柜门...... 

简介：杨小波导演作品。

简介：

　　该片是系列第50部作品，由新拍摄的部分与旧作名场面组合而成，主演是已经去世的渥美清，倍赏千惠子、前田吟、吉冈秀隆等共演。

简介：这是一部发生在军营的轻喜剧。陈大虎（张良饰）和孪生兄弟陈二虎（张良饰）同时参军到部队，连队干部对这哥俩可伤透了脑筋。哥俩脾气秉性截然不同，大虎诚实、稳重，二虎则活泼散漫，但长相却让人难以分辫，哥哥做了好事安在弟弟头上，弟弟做了错事又安在哥哥身上。二虎不仅和哥哥偷换武器，还把军长（邢吉田饰）当成火头军，要和军长换将军衔的领章，淘气的二虎让颇有上进心的大虎很是为难，主动替他承担不少责任。

简介：一个漆黑的夜晚，私人侦探迈克在高速公路上遇到一个女孩拦车。这个女孩只穿着一件军用大衣，他把她接上了车。不久，他的车子发生了意外，冲出了路边。他在昏迷之中，听到了那个女孩被折磨致死。在被扔下悬崖大命不死后，他决心自己追踪那些凶手，而不顾重重的威胁和贿赂。在这个过程，他找到了很多离奇的线索，还有一位奇怪的女孩，最终面对一个致命的秘密。

简介：

　　An outstanding comedy whose poetic style hearkens back to the films of Wes Anderson. It tells of a youngster focused on winning the nationwide drumming championship in spite of certain obstacles – such as not having any drums! A film that is every bit as hardcore as Jimmy Page’s guitar, and every bit as endearing as Robert Plant’s waistcoats.
　　There are a lot of films that stick to the hackneyed theme of the outsider bent on fulfilling his dream in spite of all the odds – thanks to which he not only achieves his coveted success but, moreover, instils hope in the hearts of the weak and degraded through his courage and determination. But none of these films has had a protagonist as charismatic as Power – a young man obsessed with drumming drumlessly (read: steady gesticulation set to the rhythm of legendary heavy metal anthems), whose aim is to win the nationwide drumming championship, support striking miners in New Mexico and win the heart of a girl who went deaf at the age of three at a Status Quo concert. This brilliant comedy – reminiscent of the films of Wes Anderson in its fascination with bizarre twists on standard genre themes – will thrill you even if you are not a fan of 1970s hard-rock dinosaurs. But you mustn’t forget Power’s creed while you’re watching: “I don’t need drums. I am drums!"
　　About the director
　　Ari Gold received a Student Oscar in 2000 for his film Helicopter, an experimental short film in which he used authentic photography, scene reconstructions and animated sequences to tell of the tragic death of his mother. The Sundance Festival accepted Gold’s short student films for three consecutive years, and one of them – the sixty-second film Culture, which the filmmaker accompanied with a 10-point manifesto signed with the pseudonym Ari von Gold – elicited (particularly in Serbia) a wave of similar films of exactly one minute in length avowing “Dogma 99”. In addition to filmmaking, Ari Gold is also a dedicated musician – he sings in the bands The Honey Brothers and The Gold Brothers, he plays the ukulele, the piano and occasionally the drums. The film Adventures of Power is his first feature-length film.

简介：

　　Beautiful and raw combination of lyricism and realism in debut drama about a woman with cancer running to her gorgeous, polluted home island to face herself.
　　When Noelia finds out that her cancer has spread, she sets aside the search for new procedures and abruptly goes from San Juan back to Vieques, the island where she grew up in southwest Puerto Rico. At home with her mother, in this place with which she is intimately tied (where the beaches are as marvelous as the sea is polluted, in the traces of US colonialism), she seeks her individual strength and takes part in environmental activism one last time. At the same time, a hurricane approaches. Glorimar Marrero Sánchez creates her own visual language in a film that tells us about disfigured bodies and land, and that both enchants and simplifies. A magnificent Isabel Rodriguez in the leading role gives Noelia dignity and an enormous power. And mediates that there is also a light in grief.