老板不知道的我老友季

简介：提姆·托马斯是一个工程师，事业成功，有漂亮的妻子和一所靠海的种满鲜花的房子，生活幸福美满。一次他在驾车的时候，低头看短信，不幸的意外发生了，在这场意外中有七人丧生，包括坐在提姆旁边的妻子。他丧失了活下去的勇气和信心，为了自我救赎，提姆决定用自己的生命帮助他生活的那个城市里的陌生人，一个失明但善良的男人，一个美丽但患有先天性心脏病的女人，一个为家庭暴力所累的不幸家庭，一个资助过学生的冰球教练，一个在家庭服务和孩童福利保障中心上班的黑人女人，得了白血病的黑人小孩。他拿走他兄弟本·托马斯的工作证，冒充财政部的税收调查员，尽力去了解他决定帮助的每一个人，以确定他们是否是善良的人。了解的过程中，提姆爱上了Emily Posa，那个先天性心脏病人，他们在一起度过了快乐的时光，最终提姆结束了自己的生命，将身体的每个部分送给了需要的人，只留下感动和怀念的泪水。

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　　科洛·莫瑞兹将出演动作恐怖新片[云中阴影](Shadow In The Cloud，暂译)。本片由罗丝安妮·梁执导，马克斯·兰迪斯([超能失控])撰写剧本。莫瑞兹扮演一名携带绝密文件的上尉，她登上B-17轰炸机与迎面而来的日本伏击以及全男性的机组人员作斗争。

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底层捕快薛不疑（刘峰超 饰）因不谙世故遭同僚排挤，憋屈十年。一桩赈灾银盗窃案他沦为替罪羊。绝境中，他受老师黄士宁（淳于珊珊 饰）搭救，与师弟李震（袁福福 饰）再度合作，然而钱外有钱官外有官，他被迫成为高官手中的“犬牙”……在这黑暗世道，他是会选择做一只听话的鹰犬，还是挣脱这巨 手成为啄天之鹰？

简介：　　罗子君（马伊琍饰）和陈俊生（雷佳音饰）结婚后一直待在家中做着全职太太的工作，在俊生的呵护和照顾下，她得以远离职场中的尔虞我诈，对生活的艰难和不易知之甚少。然而，让罗子君没有想到的是，一直十分顾家的俊生，竟然因为一个叫凌玲（吴越饰）的女人跟自己离婚了，手无寸铁身无铠甲的罗子君一下子被推倒了生存这一战场的最前线。　　唐晶（袁泉饰）是罗子君的朋友，并且是一个作风非常强硬的职场女魔头。看不惯罗子君的软弱和迟疑，她将自己的男友贺涵（靳东饰）派往了好友身边，帮助她走出困境。实际上，唐晶和贺涵之间的感情亦面临着重重考验，有着诸多的问题。在贺涵的鼓励和推动下，罗子君终于下定了决定，得到了人生的第一份工作。

简介：《72小时》是上海纪实频道一档面向年轻观众的纪实栏目，它以在固定场所连续拍摄72小时的制作模式，通过微小的故事观察世间冷暖、记录人间百态、传递善良与温暖。在72小时的时空里，没有任何偏见与成见。我们既不避讳，也不猎奇。世界存在着何等丰富的多样性，我们的节目就存在着多少的可能性。在这里，我们不去凸显贫富贵贱或是其他什么标签，所有的问题与答案，都是生命与生命之间的一份真诚与尊重。每一个生命平等而独特，我们尽自己所能在有限的时间与空间中发掘生活的力量。那些不经意间走入镜头的人和故事，往往暗藏着巨大的爆发力。

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　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

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　　大学生吴能偶然间获得超能力，却遭遇追杀，由于他性格软弱，一开始总是想尽办法逃避，直到连累身边朋友受伤害之后，才领悟了“能力越大，责任越大”的道理，终于勇敢面对恶势力。

简介：拳击手大卫•科登独自住在一间简陋的公寓出租房内，窗户对面住着一个美丽的舞女格萝蕾拉，大卫渐渐为之所吸引。某晚大卫比赛归来，突然发现格萝蕾拉正要被人强暴，他冲进去拯救了心上人。原来强暴者是格萝蕾拉所在夜总会的老板，为了生计不得不忍辱负重。两个失意之人情谊相合，遂约定离开伤心地，寻找他们的幸福。大卫外出筹集旅费，而夜总会老板在得知格萝蕾拉即将离开的消息时勃然大怒，派出打手绑架了她……

简介：《为了六十一个阶级兄弟》是上个世纪60年代著名的通讯报道，最初发表于《中国青年报》，是王石、房树民两位记者合写的。报道中的事情发生在1960年，春节刚过，山西省平陆县有61位民工集体食物中毒，生命垂危。当地医院在没解救药品的危急关头，用电话连线全国各地医疗部门，终于找到了解药。但当时交通不便，药品不能及时送达。当地政府便越级报告国务院，中央领导当即下令，动用部队运五运输机，将药品及时空投到事发地点，61名民工兄弟得救了。 这篇通讯是新闻写作的范文，入选了中学课本，影响了几代人。

简介：猫咪行为专家杰克逊·加拉克西将再次回归，参与新一季的《家有恶猫》节目，处理史上最糟糕的案例。超过15年的工作经验，久经考验的训练计划和装满猫咪玩具的签名吉他盒，加拉克西将带着这些开启征程，帮助猫咪主人解决难题，揪出猫咪与主人之间冲突频发的根源。每集节目中，加拉克西都将解决一些列与猫咪有关的问题，修复因为这群小家伙而遭到破坏的关系。不管原因是在主人还是在猫咪，都交给加拉克西去解决吧！

简介：续集依然延续第一部的世界设定，不同的是时间线更加随意，在同一时空下存在着更多个不同的克隆版“艾米丽”。由于技术故障，原本应该接替5号艾米丽的6号艾米丽无法获取“上一任艾米丽”的记忆，于是她干脆找到了仍是小孩子的初版艾米丽。她们在彼此的思维里游走，交换信息和想法。6号艾米丽装满了成年的记忆，她忧伤、成熟，是个十足的大人。而小艾米丽天马行空，自由烂漫。当两人再次相遇时，过去的6号艾米丽不见了，取而代之的是平和、快乐的6号艾米丽。苦恼被放下，束缚被解除，那份小孩子天性里的好心态终于被保存了下来。或许重要的不是记忆的传承，而是赤子之心。