巨星环境保卫战第2季

简介：死亡派对

简介：本片深度揭秘民国两大特务组织的黑暗往事，通过珍贵档案与专家解读，带领观众揭开那段尘封的历史迷雾。

简介：失去丈夫后，玛格达带着女儿莱德前往森林中的避暑别墅，准备将其出售。这原本是为了治愈创伤的第一步，却因莱德失踪和突发森林大火而发生了意外转折。

简介：　　包家收养同乡潘仲之子潘朗清（郭晋安饰）多年，包家长子包文龙（郑伊健饰）与他情同兄弟；中天集团首脑黄天（郑少秋饰）造人暗算，被商业罪案调查科的探员文龙调查，却与其成为忘年交。急功近利的郎清非法赚快钱，连累前来劝阻的文龙被停职，使包家陷入困境。潘夫向昔日好友黄天求助，朗清得以进入中天集团。复职无望的文龙被黄天赏识招入中天，由此踏入商界。文龙认识古怪少女林贞烈（陈松伶饰），两人开始恋爱。朗清被人利用出卖中天的商业机密，引起黄天的疑心，为了获得黄天的信任，并谋得权势，朗清开始追求黄天之女黄蕾（郭蔼明饰）。但黄蕾却因为文龙而与他悔婚，并介入到文龙与贞烈的感情中，让文龙陷入两难之境。备受悔婚屈辱的朗清，与黄天的对手一起不择手段，开始报复计划。商界人生，风云变化多端，谁能料到得与失？

简介：影片讲述一心想要破获毒品大案的卧底警察东子，奉命潜伏到了每天想着退休的黑帮小头目狗哥身边，随即展开了一段荒诞热血的警匪交锋。

简介：迪斯尼频道去年六月份宣布，著名青春偶像剧《男孩成长记》（Boy Meets World，1993-2000）的正宗续篇《女孩成长记》（Girl Meets World）获得正式剧集预订。根据该剧的描述，《男孩成长记》主人公Cory和Topanga「有情人终成眷属」之后，他们的女儿Riley Matthews又到了他们当年相恋的年纪。

简介：上世纪70年代末，时代的狂潮正渐渐退去热度。在南方某个古朴的小镇，小女孩蒋晓兰（朱一诺 饰）和姥爷（朱旭 饰）相依为命。晓兰的父母早年下放边疆，在学校她又因与“最大的阶级敌人”同姓而倍受欺负和排挤。破旧的小院是晓兰最为自由的天地，而家里的大衣柜则是她最后的避难之所。早年因战乱和疾病，姥爷几乎失去所有的亲人，因此这个调皮又善良的外孙女成了他生活的全部。时光缓缓流逝，细雨绵绵的小镇永远带着化不开的愁绪，渴望成为体操冠军的晓兰（姚君 饰）一天天长大，而那个永远牵挂着她的姥爷却慢慢地老去……本片为著名影星蒋雯丽的导演处女作，也是人艺老演员朱旭的封镜之作。影片荣获2009第14届釜山电影节观众最喜爱影片奖。

简介：

　　Beneath our feet, under trillions of tons of rock, lurk astonishing and deadly secrets. Earthquakes, tsunamis, volcanic eruptions are all driven by hidden forces deep inside our planet. Now, using the latest scientific data from sensors and surface scans, we can x-ray the earth to reveal the dangers locked inside our planet. Using thousands of sensors and state of the art surface scan information, for the first time, we can create x-rays of the deep interior of our planet.
　　S1 E1 - Seattle Mega Quake
　　S1 E2 - Atlantic Coast Killer
　　S1 E3 - Volcano Apocalypse

简介：

　　愤操子蔑视封建朝廷的律令，贩运私盐，与奸商赃官勾结的官盐局作对，他杀污吏心狠手辣，却和青楼女子相知相爱，对穷兄弟更是肝胆相照，以死求义。

简介：

　　The war on terror is everywhere and anywhere. In this series, we learn about the deadly terrorist attacks that almost happened or were not as deadly as planned. Each episodes explores a recently declassified terrorist scheme intended to cause mass casualties.

简介：

　　本片叙述苏联入侵美国，并屠杀美国的居民，居民都无力反抗，此时有一群年青人联合起来对抗入侵者……

简介：

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.