永无止境电视剧版

简介：　　「東京大学物語」などで有名やマンガ家、江川達也原作のセクシーギャクマンガがＯＶ化。作画は「カウボーイビバップ」なども手がけた川元利浩が担当する。東大法学部の全過程を取得して自主退学した大江錦太郎。全国を自転車で旅しながらフリーターとして生活していた。ソフトウェア会社のアルバイト先にいく途中に事故を起こした錦太郎は、車から降りてきた美女から１００万円を手渡された。実はその美女こそがバイト先の美人社長であったことを知り…。

简介：　　该剧改编自宝妆成的小说《重生八零：媳妇有点辣》。故事发生在1983年，聚焦于一位现代女性的角色，她在那个充满变革的年代里，背负着“社畜”的标签，却勇敢地踏上了破除谣言与商海弄潮的征程。从一无所有到逐步崛起，她的经历是对逆境中成长的生动诠释。面对生活的重重困难与挑战，女主角凭借不懈的努力和过人的智慧，在商业世界中开辟出一片天地。在这个过程中，她不仅改变了自己的命运，还帮助周围的人解决了难题，共同书写了一段段温暖人心的故事。影片传递了一个强烈的信息：勇气与决心是通往美好生活的关键。在这部剧中，观众将见证一个现代女性如何在80年代的社会背景下，凭借不屈不挠的精神，实现从困顿到辉煌的华丽转身。

简介：　　根据苏寞小说《沉香如屑》改编。颜淡（杨紫饰）本是上古遗族——四叶菡萏，自古全身都是医药至宝，由于提前一百年与她那双生姊妹芷昔在王母盛宴上化形成人，这便遇到了生平最大的劫——情劫。本想用半颗心换应渊君（成毅饰）的真情，却不料要用风华正茂的八百年来忘却他。一尾上古遗留仅剩自己的九鳍，习惯了颜淡的故事，竟将自己融入到颜淡的故事里，为寻颜淡弃仙成妖，余墨山主便成了颜淡重新开始生活的强大寄托。铘阑山，也成了他们一起安定的家，为了壮大自己，余墨常带颜淡"日行一善"，处罚恶人时却遇到前世应渊君，今生除妖天师唐周的阻扰和迫害。进而展开了颜淡和这天师既斗智，又共患难的凡间生活。在帮助唐周找寻四件上古神器的同时，发现了一个又一个带着神秘色彩的事情。神器寻完，帝君归位。颜淡此刻终于发现自己的归属。

简介：

前拆弹专家宋康任（林柏宏 饰）与未婚妻黄欣（宋芸桦 饰），意外搭上载有特殊炸弹的列车，炸弹与车速联动，减速会加速爆炸，拆除则会触发另一辆列车上的炸弹。面对这样的生死困局，宋康任将如何抉择？ 在极限96分钟内他能否成功拆弹保住全车人与自己的性命？

简介：该片由韩国导演宋浩宏自编自导。影片是个现代版白雪公主的故事，她会遇到七个丑陋的小矮人，而实际上他们原本是几个虚荣又傲慢的王子。

简介：两位婚礼策划师将同时为一对新人策划婚礼，让他们相信自己会打造出最完美的婚礼。策划师Tara在新人的家乡——爱尔兰准备了一场美丽的婚礼，而另一位策划师Bruce则选择在异国他乡设计一场美妙的婚礼。本片将跟随这对新人，并在两个不同的梦想婚礼中做出选择。Bruce和Tara将会极力比拼，这会是一个传统的婚礼还是异国风情的婚礼?

简介：蜘蛛侠：20周年经典回顾

简介：作品改编自寺山修司的同名原著，将时间改为了近未来的2021年，但仍聚焦于年轻人的迷惘和焦躁。

简介：

　　15岁的奥斯卡（亚伦·斯坦福 Aaron Stanford 饰）是一位早熟而机智的少年，他精通法语，熟读伏尔泰的著作。尽管与同龄的女生们都维持着良好的关系，但他偏爱与“老女人”交往。这个假期，他决定迈出成人的第一步，试图追求他心爱的女人，而这个对象竟然是他的继母伊芙（西格妮·韦弗 Sigourney Weaver 饰），对此，奥斯卡的父亲一无所知。
　　然而，命运开了一个玩笑，奥斯卡在追求伊芙之前却意外吸引了伊芙的好闺蜜黛安（毕比·诺维尔什 Bebe Neuwirth 饰），稀里糊涂的，奥斯卡和黛安发生了肉体关系，从此之后，黛安就缠上了奥斯卡，再加上父亲无微不至的关怀，令奥斯卡感到压力山大。

简介：本美术片为水墨动画片，改编自庐山“白鹿洞书院”流传的美丽传说。 心地善良的老药农与孙女在深山摘采草药时，救下一只受了重伤的小鹿。在女孩的细心照料下，小鹿逐渐恢复健康，并与女孩成为形影不离的伙伴。而在女孩为保护它受了伤后，小鹿更是通人性地代她做了诸如上山采药、赶集卖药、采购食品等事。后来小鹿随女孩及爷爷在山上采药时，与失散的父母相遇，告别一刻，它与女孩难分难舍。

简介：川岛芳子，清朝和硕肃亲王爱新觉罗·善耆第十四女。曾先后参与皇姑屯事件、九一八事变、满洲独立运动等秘密军事行动，并亲自导演了震惊中外的上海一·二八事变和转移郭布罗·婉容等祸国事件，被称为“男装女谍”、“东方女魔”。

简介：

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...