作为一名大学生,我住在一间破旧的公寓里,没有梦想,没有希望。有一天,在一个充满不寻常居民的地方,他们从早上开始大声喝酒,玛丽娜带着甜蜜的母性气息搬进了隔壁的房间。她经常邀请我去她家,并用她甜美的耳语迷住我,融化了我的耳膜。无法抗拒她的诱惑,我发现自己越来越爱上她了
美食主持人小芋遭人算计,参与了一场野外求生真人秀,并与一些怀着不同目的聚到此处的人相遇,众人误入野外禁地,遭遇了变异狂鳄的攻击,人类的脆弱与智慧与狂鳄的野蛮和残忍,注定要在这片蛮荒之地上演一场生死对决。
小樱的初恋是她的学校老师。小樱学生时代的初恋,在表达自己的心意时,却被‘师生’的绝对隔阂所阻挡。 12年后……虽然不是理想的情况,但已经成为已婚妇女、拥有幸福家庭的小樱还是参加了同学聚会。能够见到初恋老师的期待……以及一见到老师就涌上心头的甜蜜与苦涩……“老师,作为大人的我,能和他一起度过一晚吗
庆州,一家居酒屋的女老板。她离婚的最好的朋友来她家住。下班后,庆珠会和年轻英俊的男性兼职人员发生性关系来宠爱自己。两名希望通过年轻兼职人员来照顾自己健康的妇女正在等待生意结束
This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time. “The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez