1911年,陈真为师父霍元甲报仇后投身革命加入中国同盟会,受托调查军阀与日本在天津租界的勾结。在执行任务遭伏击、同伴中毒的险境中,陈真与一度为敌的武人郑绍远从对决到联手,最终陈真在租界内与日谍头目决一死战,揭穿阴谋,公之于众。
在韩国首都,一个由三大富豪公子组成的天狂三少!他们三人喜欢暴力,色情,甚至强暴了不少的女人!5年前,天狂三少将原先的手下天泽的脚筋废了,而且还在天泽的女友脸上划了一刀!天泽处心积虑,终于在5年后,有了报复的资本!于是联合了当初被天狂三少残害的三位女性,策划了一场借刀杀人案...
This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time. “The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez