林之校(陈意涵饰)是即将毕业走上社会的大四学生,在人生最重要的十字路口,她的父亲被诊断患上了胃癌。面临着巨大的打击,林之校并没有被打倒,而是以乐观的态度面对挑战。父亲住院期间,林之校陪伴在左右悉心照顾,她的存在竟然感染了原本愁云惨淡的癌症病区,给病人们带来了阳光和欢乐。在医院里,林之校结识了父亲的主治医生顾魏(徐方舟饰),在一来二去之间,林之校和顾魏间碰撞出了爱情的火花。然而,这段感情要面对的,是诸多的困难,两人能否用真爱打败冷酷的现实,最终收获爱情的甜蜜果实呢?
曾经叱咤小镇的“大哥”黄荣发(黄渤 饰)如今嘴硬腿软,开启人生困难模式,但他和家人都没有被命运的风浪裹挟。儿子黑狗达(范丞丞 饰)看似是黄家唯一“淡人”,暗地却密谋如何发家又“治父”;妻子陈梨珍(殷桃 饰)样样全能横扫困难,是小镇人尽皆知不太好惹的“妈系超人”;胆大手“黑”的女儿黄娇娇(李嘉琦 饰)和“神”通广大的阿太(刘雪华 饰)也各出奇招笑料百出。逆境当前,一家唯有兴“疯”作浪跟生活贴脸硬刚,没准真能让他们绝地翻盘?
你看不见的地方,谍战从未停止交锋!我国最新战机的涉密信息外泄,国家安全面临威胁,国安小组迅速行动抓捕间谍,在信任与背叛的漩涡中,一场惊心博弈悄然上演……
香港核心商业地带油尖旺地区近日突发连环抢劫大案,区域内多家珠宝店遭遇悍匪团伙的洗劫!奉命执行任务的冲锋队Car 3在组长郑志斌(方中信 饰)的带领下一路追击,但查探到的线索却令郑志斌心头一紧。原来,悍匪头目阮卓龙(张继聪 饰)、阮卓武(安志杰 饰)是多年前另一桩持枪抢劫案的在逃要犯。如今两兄弟卷土重来,犯案同时还不断向警方挑衅,令整个警队焦灼且困惑。此外,阮氏兄弟的步步紧逼亦令Car 3队员张家和(陈家乐 饰)难以自制,郑志斌看在眼里却也有心无力…..宿命般的四人在不断交锋中,揭开了背后尘封已久的秘密……
This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time. “The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez