《我是你的眼》改编自法国畅销小说《点字之心》,备受瞩目的法国古典音乐美少女亚莉克·丝薇洛特跨界领衔,以自身经验完美诠释主人翁的精湛琴艺,以及备受瞩目的法国超萌新星尚史丹杜巴克(Jean-Stan Du Pac),并集结法国凯萨奖男星帕斯卡艾勒柏(Pascal Elbe)《夏日时光》男星查尔斯贝林(Charles Berling)等实力派演员,是继《贝利叶一家》后,法国影坛2017年最新的感人力作。
半年前,翼被调到关西分公司……她是一位拥有G罩杯身材、美丽、好看、时尚的女上司。有一天,翼为了满足自己的性欲,在与平常不同的氛围中勾引部下……那天之后,她在酒店、工作场所、家里勾引部下,满足自己无尽的性欲
落魄潦倒的革命者鲍勃(莱昂纳多·迪卡普里奥 饰)终日生活在草木皆兵的偏执状态,他与世隔绝,只和坚韧自立的女儿薇拉(蔡斯·英菲尼迪 饰)相依为命。然而,当鲍勃的宿敌(西恩·潘 饰)在16年后再度现身,女儿也突然失踪,这位曾经的激进分子仓促踏上了寻女之路,父女二人不得不直面他过往行为种下的恶果……
故事设定在1986年,即《招魂3》的五年后。沃伦夫妇因艾德在第三部中经历恶灵事件而突发心脏病,已正式退休,不再从事驱魔工作。他们仍会到大学巡回演讲,但连这类机会也在逐渐减少。一些事件最终还是让他们重返战场。这次的核心案件,是沃伦夫妇生涯中最著名的一起事件之一:斯莫尔家族闹鬼案。据“新英格兰通灵研究协会”(由艾德与洛琳的现实中的女儿朱迪和女婿托尼·斯佩拉负责运营)称,1970年代,珍妮特与杰克·斯莫尔搬入宾夕法尼亚州西皮特斯顿查斯街上的一套复式住宅。随后数年,包括他们的女儿与杰克的父母在内的家人纷纷声称经历了超自然现象,从怪味、怪声到鬼魂骚扰等。
李维是基因公司D-TECH的技术工程师,致力于复活史前新物种的研究,一次例会上,李维大胆提出了新的研发思路,获得公司认可,获得阶段性的成功,却意外被公司排除在后续研发计划外。李维偷出公司研发中的迅猛龙蛋,李维多番了解,发现D-TECH已经复制了大量的迅猛龙蛋正在陆续孵化中。原来他们真正的目的是为国外某组织制造恐龙军团。李维与女友和助手决心破坏公司的计划,不料却被主管童明发现……
This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time. “The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez