中国云南十五个特有少数民族影像志
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简介:
十五集大型纪录片《中国云南15个特有少数民族影像志》由云南美术出版社有限责任公司、云南大学民族学与社会学学院、云南色景文化传媒有限公司联合策划,已列入国家“十三五”重点图书、音像、电子出版物出版规划,入选2019年度国家出版基金项目。该系列影像志以云南15个特有少数民族当下的生产生活与文化习俗为拍摄重点,对一个民族的历史由来、宗教信仰、民居建筑、生产生活、风俗习惯、歌舞节日、传统手艺等内容进行系统、富有深度地全新展示和解读。自2019年进入拍摄以来,历时3年时间,摄制组制作完成第一季5个民族的影像志拍摄(哈尼族、拉祜族、布朗族、基诺族、阿昌族)。
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简介:Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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