未来,地球环境变得愈来愈恶劣,人类纷纷踏上外太空移民的星际之路。一艘硕大的航天飞船遭遇空难毁灭,载着船长的逃生舱被另一艘飞船所营救。然而,逃生舱里只有被划定为非公民的夏娃·米勒中尉(玛丽娜·赛提斯 Marina Sirtis 饰),此时她呆呆傻傻,陷入混沌。船长命令部下提取她的记忆,从记忆中得知,已经怀孕的米勒中尉在灾难中和富兰克林船长、多默、汤姆森、李等共计五人登上了逃生舱。虽然米勒遭受其他人的歧视和羞辱,但她还是竭尽全力要寻找生还的希望。只不过最后舱里究竟发生了什么事?其他四人究竟去了哪里? 米勒中尉的记忆中藏着可怕的未解之谜……
暂无内容
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
敏和金松结婚2年了,但是金松不管敏做什么都不能勃起。敏的性欲一直持续到有一天,金松接到了朋友吴铉的电话。他的生意失败了,他被赶出了家门,所以他需要一个地方住一个月。几天后,吴铉和他的妻子来了,但金松一看到她就勃起了。Min-ah提出了一个令人震惊的交易。
実験中に助手を事故死させてしまったレーザー研究者ワイズは、ある会社に雇われた。ところがその研究が暗殺目的だと知って……。レーザー光線による暗殺をめぐって展開するアクション・コメディ。「グレートウォール」とは打って変わったタッチを見せるP・ワン監督作品。音楽は坂本龍一。
刚果首都金沙萨。单亲母亲菲丽希缇每晚在低廉的小酒馆驻唱,结果儿子萨蒙突然遭遇摩托车事故面临截肢,让这个贫穷但骄傲的女人被迫到处筹钱为儿子手术,过程中她获得了杂工塔布的帮助,也更多遭遇了别人的冷眼和羞辱。可最后儿子没有摆脱截肢厄运......
19世纪中叶,帝国主义轰开了古老中国的大门,一纸《南京条约》签订,上海正式开埠,从此各种各样的传奇与悲喜人生在这片土地上交替上演。将近一百年后,世界局势动荡不安,各方势力汇集于魔都,继续谱写着属于这座城市的传奇。镜头前,陈丹青、杨小佛(杨杏佛之子)、杜美如(杜月笙之女)、张心漪(曾国藩之曾外孙女)、韦然(上官云珠之子)、费明仪(费穆之女)、韦伟、侯孝贤、韩寒等18位与新旧上海有着千丝万缕联系的受访者,讲述了关于城市以及人生的点点滴滴。 上海、香港、台湾,半个多世纪的骨血漂泊,牵扯了多少难以忘怀的记忆。剪不断,理还乱,纷纷扰扰,纠缠绵延……
咸丰八年的浙江绍兴,一条乌蓬船上坐着一位年轻英俊、踌躇满志的青年人,他就是去县城应试秀才的青年孔少成。 途中,孔少成遇见去县城应考的丁举人的儿子丁家昌。孔、丁两家世代素有怨仇,此刻,两船在河中相撞,丁家昌与孔少成同时落水,在河里冲突起来……
明朝万历年间,西门家族由两个寡妇统治着,她们分别是西门莎白一世和西门莎白二世,惟一的男丁西门靖已到婚嫁之年,二寡妇惟恐断了香火,把他的婚姻大事提上日程。 西门靖生得白净秀丽,又爱抚琴作画,主张自由恋爱的奶奶鼓励西门靖多参加社交活动,增加认识漂亮姑娘的机会,而母亲却要为儿子物色佳人。 西门清为达成家族“传宗接代”的心愿而进入男女混读的书院就读,结识了清丽可人的千金小姐宏塔山。山对清一见钟情。。。
《豪客》是诸葛青云、杨静尘执导,施思、金汉主演的动作电影,该片于1973年出品。